12 Days of Blogmas: Day Five - Oh no it isn’t!
Excitement is in the air as the local Panto is about to commence (Aladdin at Peebles’ Eastgate theatre), sparking curiosity in me about this deeply British pastime. Though it is a seasonal theatrical staple in the UK, the Pantomime is a phenomenon that hasn't translated well globally. So why is that? Let's take a closer look at the origins of this beloved tradition.
The Pantomime's roots can be traced back to the Italian Commedia Dell'arte, which featured masked characters like Harlequin. The Stuart era's Masquerades also influenced its development. The format's hallmarks – mistaken identity, stock characters, and slapstick – can be traced back to these origins. However, it wasn't until the Victorian era that the Pantomime evolved into its current form, incorporating music hall stylings and introducing the character of the Panto Dame – an older lady played by a man in drag. Dan Leno, a popular 19th-century entertainer, is widely credited as the first Panto Dame, and many others have taken on the role, including distinguished actors like Sir Ian McKellen. In fact, anyone who saw McKellen’s Twanky says it’s the finest Twanky they have ever seen…
Over time, the Pantomime has incorporated popular music, satirical humour, and celebrity cameos, while plots are typically drawn from fairy tales and nursery rhymes, making it an ideal family entertainment. Children are drawn to the silliness and fun, while their parents enjoy a glass of wine and the clever, often raunchy jokes(see above). It's a beloved part of the festive season – as much a part of December as turkey and chocolate coins.
But why do Brits love the Pantomime, while others see it as a bit mad? Perhaps it's the country's long-standing, somewhat repressed love of dressing up, or maybe it's due to the working-class Victorian society's appreciation for audience participation, which classical theatre did not offer, and has passed down generations? It may simply be a reflection of the British sense of humour and love of the absurd, a vital part of the national identity from The Goons, via Monty Python and ‘I’m Sorry, I Haven’t a Clue’. Regardless of the reason, the Pantomime remains a vital part of the country's cultural life, keeping theatres packed through the winter months. The Eastgate in Peebles for example will be preparing for the busiest few days in their calendar. This annual boost is very welcome, and hopefully helps create new generations of participants and audience, invested in the arts and their community.
“Tweed Theatre Presents Aladdin”
Peebles Eastgate Theatre - Thursday 7 to Saturday 9 December 2023
Keith Brunton, irrepressible Dame of Peebles!
